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誰がクラシックコンサートに行くのか : 東京・新潟・鹿児島のコンサート会場におけるアンケート調査をもとに
https://doi.org/10.15083/00031432
https://doi.org/10.15083/000314323932c82b-2587-400d-b67b-1e8cba2c847d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004259182.pdf (2.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2008-10-14 | |||||
| タイトル | ||||||
| タイトル | 誰がクラシックコンサートに行くのか : 東京・新潟・鹿児島のコンサート会場におけるアンケート調査をもとに | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00031432 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Who Attends Classical Music Concerts? : Based on Questionnaire Research Conducted at Concert Halls in Tokyo, Niigata, Kagoshima | |||||
| 著者 |
西島, 央
× 西島, 央 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 123388 | |||||
| 姓名 | Nishijima, Hiroshi | |||||
| 著者所属 | ||||||
| 著者所属 | 比較教育社会学コース | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In Japan, what sort of people attend classical music concerts? It has been said that the classical music is an orthodox current of culture from the West, which was set up alongside the establishment of the modern educational system in Japan. Recently, however, the number of classes of music and other arts related subjects has been reduced as a result of the new national curriculum. In addition, the development of the Internet has provided a dramatic increase in terms of alternative access points to music. These are resulting in a dramatic change of music culture. Under these conditions, is it probable to think that attitudes towards classical music concerts might be in a process of change? The purpose of this paper is to illustrate the current conditions in relation to classical music concerts attendance from a sociological perspective. Methodologically, the paper draws upon evidence garnered from a questionnaire survey conducted at classical music concerts in Tokyo, Niigata and Kagoshima, between April and August 2002. To date, there have been few studies to investigate the sociological profile and associated behaviour related to classical music concert attendees, except the index of a stratum research. In this research, I will make use of sociological description of attendance, exploring the issue of regional difference. Subsequently I will analyze attendee's first experiences vis-a-vis the concert. Finally I will specify the features of attendance in relation to those classified as ""Jouren"" i. e. regular goers and those labeled ""Ichigen"" i. e first-timers. I will analyse the differences between them in light of a number of sociological indicators and their musical experiences during their formal education. As a kind of pilot study, I will propose a research framework that could provide a signpost for future research exploration. | |||||
| 書誌情報 |
東京大学大学院教育学研究科紀要 巻 43, p. 57-76, 発行日 2004-03-10 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13421050 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10516641 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 370 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院教育学研究科 | |||||
| 出版者別名 | ||||||
| The Graduate School of Education, University of Tokyo | ||||||
