2024-03-28T08:48:17Z
https://repository.dl.itc.u-tokyo.ac.jp/oai
oai:repository.dl.itc.u-tokyo.ac.jp:00051725
2022-12-19T04:27:46Z
67:68:4399:8053
9:504:4401:8054
The Simplicity in the Inside of a Cage(1957) : the “Invention” of Television by Ben Wada and Tadashi Iijima
『檻の中』(1957)における単純さの追求 : 和田勉と飯島正によるテレビの〈発明〉
木原, 圭翔
162516
和田勉
飯島正
テレビドラマ
NHK
テレビ論
Ben Wada
Tadashi Iijima
Television Works
NHK
Television Theory
Just after NHK (Japan Broadcasting Corporation) started to television broadcasting in February 1953, Ben Wada, one of the most acclaimed Japanese television directors, also began to make a number of unique television works. Although his early works have often been criticized for being esoteric, its uses of ingenious close-ups have brought him great fame.
This article analyzes one of the Wada’s earliest television works, The Inside of a Cage (Ori no Naka, 1957, considered a lost work) to investigate his vision of Japanese television. According to Wada, the whole story was not essential for this work because the main theme was a man’s escape from the “cage” in the middle of the story just like Robert Bresson’s masterpiece A Man Escaped (1956), which made deep impression on him. However, the scriptwriter Tadashi Iijima, who was a famous film critic, put a high priority on the story which includes Hitchcockian twist ending and main character’s change of feeling toward ex-girlfriend. Although they both pursued the simplicity in this work which only television could accomplish, there was a subtle difference between their viewpoints on storytelling of television. In investigating the existing scripts and other materials of the work, we can find some traces of their conflict.
教員研究論文
Faculty Papers
departmental bulletin paper
東京大学大学院情報学環
2019-03-29
application/pdf
情報学研究 : 学環 : 東京大学大学院情報学環紀要
96
27
43
AA12032633
1880697X
21878056
https://repository.dl.itc.u-tokyo.ac.jp/record/51725/files/96_3.pdf
jpn