{"created":"2021-03-01T07:12:58.317881+00:00","id":51725,"links":{},"metadata":{"_buckets":{"deposit":"2ebb993f-9fdc-4d53-acfe-e2fd4bd72212"},"_deposit":{"id":"51725","owners":[],"pid":{"revision_id":0,"type":"depid","value":"51725"},"status":"published"},"_oai":{"id":"oai:repository.dl.itc.u-tokyo.ac.jp:00051725","sets":["67:68:4399:8053","9:504:4401:8054"]},"item_4_alternative_title_1":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"The Simplicity in the Inside of a Cage(1957) : the “Invention” of Television by Ben Wada and Tadashi Iijima"}]},"item_4_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03-29","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"43","bibliographicPageStart":"27","bibliographicVolumeNumber":"96","bibliographic_titles":[{"bibliographic_title":"情報学研究 : 学環 : 東京大学大学院情報学環紀要"}]}]},"item_4_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Just after NHK (Japan Broadcasting Corporation) started to television broadcasting in February 1953, Ben Wada, one of the most acclaimed Japanese television directors, also began to make a number of unique television works. Although his early works have often been criticized for being esoteric, its uses of ingenious close-ups have brought him great fame.\n This article analyzes one of the Wada’s earliest television works, The Inside of a Cage (Ori no Naka, 1957, considered a lost work) to investigate his vision of Japanese television. According to Wada, the whole story was not essential for this work because the main theme was a man’s escape from the “cage” in the middle of the story just like Robert Bresson’s masterpiece A Man Escaped (1956), which made deep impression on him. However, the scriptwriter Tadashi Iijima, who was a famous film critic, put a high priority on the story which includes Hitchcockian twist ending and main character’s change of feeling toward ex-girlfriend. Although they both pursued the simplicity in this work which only television could accomplish, there was a subtle difference between their viewpoints on storytelling of television. In investigating the existing scripts and other materials of the work, we can find some traces of their conflict.","subitem_description_type":"Abstract"}]},"item_4_description_6":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"教員研究論文","subitem_description_type":"Other"},{"subitem_description":"Faculty Papers","subitem_description_type":"Other"}]},"item_4_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"162517","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Kihara, Keisho"}]}]},"item_4_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15083/00076844","subitem_identifier_reg_type":"JaLC"}]},"item_4_publisher_20":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"東京大学大学院情報学環"}]},"item_4_select_14":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_4_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12032633","subitem_source_identifier_type":"NCID"}]},"item_4_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1880697X","subitem_source_identifier_type":"ISSN"},{"subitem_source_identifier":"21878056","subitem_source_identifier_type":"ISSN"}]},"item_4_text_4":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"東京大学大学院情報学環"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"木原, 圭翔"}],"nameIdentifiers":[{"nameIdentifier":"162516","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-10-29"}],"displaytype":"detail","filename":"96_3.pdf","filesize":[{"value":"962.2 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"96_3.pdf","url":"https://repository.dl.itc.u-tokyo.ac.jp/record/51725/files/96_3.pdf"},"version_id":"1fcb2c87-5868-45b8-bdc7-e8e7de7f72c5"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"和田勉","subitem_subject_scheme":"Other"},{"subitem_subject":"飯島正","subitem_subject_scheme":"Other"},{"subitem_subject":"テレビドラマ","subitem_subject_scheme":"Other"},{"subitem_subject":"NHK","subitem_subject_scheme":"Other"},{"subitem_subject":"テレビ論","subitem_subject_scheme":"Other"},{"subitem_subject":"Ben Wada","subitem_subject_scheme":"Other"},{"subitem_subject":"Tadashi Iijima","subitem_subject_scheme":"Other"},{"subitem_subject":"Television Works","subitem_subject_scheme":"Other"},{"subitem_subject":"NHK","subitem_subject_scheme":"Other"},{"subitem_subject":"Television Theory","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『檻の中』（1957）における単純さの追求 : 和田勉と飯島正によるテレビの〈発明〉","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『檻の中』（1957）における単純さの追求 : 和田勉と飯島正によるテレビの〈発明〉"}]},"item_type_id":"4","owner":"1","path":["8054","8053"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-03-29"},"publish_date":"2019-03-29","publish_status":"0","recid":"51725","relation_version_is_last":true,"title":["『檻の中』（1957）における単純さの追求 : 和田勉と飯島正によるテレビの〈発明〉"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-19T04:27:46.097149+00:00"}