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ユル・ブリンナーとロシア
https://doi.org/10.15083/00080014
https://doi.org/10.15083/000800149df5d7e8-9a8d-4027-a947-21bba3706746
名前 / ファイル | ライセンス | アクション |
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SLA0350011.pdf (430.8 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2020-12-24 | |||||
タイトル | ||||||
タイトル | ユル・ブリンナーとロシア | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15083/00080014 | |||||
ID登録タイプ | JaLC | |||||
その他のタイトル | ||||||
その他のタイトル | Yul Brynner and Russia | |||||
著者 |
岩本, 和久
× 岩本, 和久 |
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著者別名 | ||||||
識別子 | 163321 | |||||
識別子Scheme | WEKO | |||||
姓名 | IWAMOTO, Kazuhisa | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | An American movie star, Yul Brynner (1920-1985), was an emigrant from Russia, and his native country’s influence can be seen in his films. Brynner was born into a rich merchant family in Vladivostok. His grandfather, Jules Briner, was originally from Switzerland and found success in the silk business in the Far East. After the Revolution, Briner’s family left Russia. Yul Brynner gained fame from his role in the Broadway musical The King and I (1951). In his audition, he sang a Romani song in Russian. Its exoticism impressed the producers, Richard Rogers and Oscar Hammerstein II and secured his role. This episode indicates that Brynner draws his exotic image from the Russian culture. The King and I’s famous dance scene is recreated in the films Anastasia (1956) and The Journey (1959), in which Brynner plays Russian officers. The Magnificent Seven (1960) belongs to the traditional Western genre, but it is the remake of Kurosawa’s Seven Samurai (1954). It is a little-known fact that Kurosawa was inspired by two Russian novels, Lev Tolstoy’s War and Peace and Alexander Fadeyev’s The Rout when making his film. In the ends of both The Magnificent Seven and Seven Samurai, an old man says that “Only the farmers have won.” This idea reinforces Tolstoy’s philosophy of history in War and Peace. It is an interesting fact that in this scene, audiences see not only Yul Brynner, but Vladimir Sokolov, who is an emigrant actor from Russia and portrays the old man in this film. Russian culture penetrates the American culture, and emigrants, sometimes unintentionally, spread it, as Brynner did. |
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内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | [寄稿] | |||||
書誌情報 |
Slavistika : 東京大学大学院人文社会系研究科スラヴ語スラヴ文学研究室年報 巻 35, p. 205-218, 発行日 2020 |
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書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10505587 | |||||
著者版フラグ | ||||||
値 | publisher | |||||
出版者 | ||||||
出版者 | 東京大学大学院人文社会系研究科スラヴ語スラヴ文学研究室 |