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ガストン・バシュラールにおける生と死のイメージ : 『蝋燭の焔』および『火の詩学 断章』を中心に
http://hdl.handle.net/2261/51537
http://hdl.handle.net/2261/51537e5256f65-1233-4e33-a681-c3e2fd0c1463
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
da017006.pdf (1.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-05-16 | |||||
| タイトル | ||||||
| タイトル | ガストン・バシュラールにおける生と死のイメージ : 『蝋燭の焔』および『火の詩学 断章』を中心に | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Imagery of Life and Death in the Work of Gaston Bachelard : On The Flame of a Candle and Fragments of a Poetic of Fire | |||||
| 著者 |
橋爪, 恵子
× 橋爪, 恵子 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 95523 | |||||
| 姓名 | Hashizume, Keiko | |||||
| 著者所属 | ||||||
| 値 | 東京大学文学部美学芸術学研究室 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Early 20th century French philosopher Gaston Bachelard (1884-1962), who received extensive training in the physical sciences, devoted his life to the promotion of the human imagination. Taking most of his examples from poetry, he discussed and classified various kinds of images in terms of their relationships with the elements of earth, water, air, and fire. Before his death, he returned to images of fire. Some of this work was published before Bachelard died under the title The Flame of a Candle (La flame d'une chandelle, 1961). The remainder was edited by his daughter Suzanne and subsequently published as Fragments of a Poetic of Fire (Fragments d'une poétique du Feu, 1988). In this paper, I will consider Bachelard's examination of life and death images, focusing chiefly on these two volumes. In The Flame of a Candle, Bachelard claims that the candle's flame is a model of the tranquil and delicate life, because it expresses verticality and solitude. He uses the flame as a metaphor to explain how people live solitary lives with a desire to improve. On the other end of the spectrum, the death images of fire, which Bachelard examines in Fragments of a Poetic of Fire, are linked to the Phoenix, the mythical bird that dies by fire, and Empedocles, who killed himself by leaping into volcanic Mount Etna. Yet we must note that these two arguments, although published in two different volumes decades apart, were originally considered to be part of a single work. Consequently, to Bachelard, life and death images do not remain mutually exclusive opposites, but interdependent. The phoenix dies, but rises again from the ashes. Similarly, as I argue, Bachelard regarded life and death as two sides of the same coin. | |||||
| 書誌情報 |
死生学研究 巻 17, 号 1, p. 137-161, 発行日 2012-03-15 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18826024 | |||||
| ISBN | ||||||
| 識別子タイプ | ISBN | |||||
| 関連識別子 | 9784925210218 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11838867 | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 105 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院人文社会系研究科グローバルCOEプログラム「死生学の展開と組織化」 | |||||
| 出版者別名 | ||||||
| 値 | Global COE Program Development and Systematization of Death and Life Studies | |||||
