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The book can be read as a satirical allegory, in which the everyday life in the camp mirrors the evolution of the whole Japanese society under the American occupation, from 1945 to 1952. One of the most conspicuous means of this satire is irony. Ooka does not conceive irony as mere sarcasm, but rather as a combination of twists of meaning, which eventually reveal the gap between a word and the reality to which it is applied. Through the gaps opened by this irony, the contradictions undermining the society appear in full light. 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