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不安の馴致と他者としてのキャラクター : アメリカ初期コミック・ストリップの反復性
https://doi.org/10.15083/0002003237
https://doi.org/10.15083/00020032379a605e97-42d6-4d4c-9478-5673c98e3c66
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
phantastopia_01_06.pdf (2.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2022-02-18 | |||||||||
| タイトル | ||||||||||
| タイトル | 不安の馴致と他者としてのキャラクター : アメリカ初期コミック・ストリップの反復性 | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Domestication of Anxiety and Characters as the Other : Repetition in Early American Comic Strips | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15083/0002003237 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
鶴田, 裕貴
× 鶴田, 裕貴
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Early American comic strips that emerged at the turn of the 20th century often repeated the same stories throughout their runs. Despite being potentially uninteresting for present-day readers, such comics with repetitions have retained their own aesthetic that differs from subsequent comics that were based on continuous stories. This paper demonstrates these aesthetics and the role they played during that time. According to Jared Gardner, repetition in early comic strips was based on anxiety regarding the rapid environmental changes that was taking place in the cities of the period and caused citizens to feel a loss of control on their lives. In such chaos, fixed patterns provided readers with amusement and reassurance. Characters in early works are commonly, stereotypically so, represented as immigrants or racial minorities. Their racialized bodies and behaviors are closely related to the fixed nature of the stories they appear in. Hinting at the reason why fixed patterns based on racial stereotypes worked as reassurance, Sianne Ngai explains animatedness: a feeling of not knowing whether you are moving or thinking with your own will or are animated by someone else. This feeling is not inherently bound to any specific ethnicity, and is very close to citizens’ feelings in modern cities. Nevertheless, the same feeling is often racialized as a kind of aesthetic marked by its object’s machine-like exaggerated responsiveness. This “racialization of animatedness” appears to be another aspect of Gardner’s reassurance. Several theoretical studies confirm the coordination between the domestication of anxiety and racial stereotypes. Kentaro Miwa stated that when we read comics, we perceive the still images on paper as if they are moving. This virtual movement may not be intended by the readers, but is unintentionally produced by them. In other words, the readers both animate the images and are animated by the comics. For such readers, the form of early comic strips represents modern chaos, and the characters’ repetitive behaviors serve to immediately convert anxiety into humor. However, repetition also produces a different factor from racism: characters’ excessive liveliness, which functions as a source of their autonomy. Therefore, this study examines the different effects of early comic strips on modern readers and the possible implications for the future. |
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| 言語 | en | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 論文 | |||||||||
| 言語 | ja | |||||||||
| 書誌情報 |
en : Phantastopia 巻 1, p. 96-114, 発行日 2022 |
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| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 2436-6692 | |||||||||
| 出版者 | ||||||||||
| 出版者 | Phantastopia編集委員会 | |||||||||
| 言語 | ja | |||||||||
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| 関連タイプ | isReferencedBy | |||||||||
| 識別子タイプ | URI | |||||||||
| 関連識別子 | https://phantastopia.com/ | |||||||||
