WEKO3
アイテム
スタン・ブラッケージ『夜の予感』における揺動する映像 : アメリカ実験映画の詩情
https://doi.org/10.15083/0002003238
https://doi.org/10.15083/0002003238d2a66355-ad91-46b1-a57e-84d367dc8cc8
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
phantastopia_01_07.pdf (1.8 MB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2022-02-18 | |||||||||
| タイトル | ||||||||||
| タイトル | スタン・ブラッケージ『夜の予感』における揺動する映像 : アメリカ実験映画の詩情 | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | The Shimmering Images in Brakhage's “Anticipation of the Night” : A Poetic Sense of American Experimental Cinema | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.15083/0002003238 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
一之瀬, ちひろ
× 一之瀬, ちひろ
|
|||||||||
| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The work of Stan Brakhage (1933-2003), one of the leading filmmakers of American experimental cinema, has been described as lyrical. Critics described Brakhage's films as first-person, expressing the creater’s inner feelings. They also applied this understanding to the interpretation of contemporary filmmakers, such as Jonas Mekas. On the other hand, recent debates initiated by Tyrus Miller amongst others have attempted to interpret Brakhage's work in terms of impersonal emotions and “de-subjectivity.” Based on these studies, this paper mainly focuses on “Anticipation of the Night” (1958) and Brakhage's book “Metaphors on Vision” to reconsider the possibilities of visual expression found in the Brakhage's work. Anticipation of the Night is a silent film. A shaky camera produces a blurred image of an out-of-focus object, structured by a unique cinematographic technique and visual logic that differs from the usual structure of dramatic films. Based on the analysis of this film and in Brakhage’s book, this paper argues that Anticipation of the Night attempts to make the viewers feel the image directly by means of perceptual light stimuli rather than by depicting an integrated and liner time-space. This film attempts to visualize the relationship between subjects and the surroundings in the complementary movement of the body and environment. Also, this paper points out that the function of the images produced by the swaying movement of the camera in this work attempts to deny the ideology that falsifies a three-dimensional space. It also points out that the work aimed to present an anti-visual "seeing", which is not an objective object observation. Through the analysis of his work, this paper will also suggests that Brakhage's exploration of the moving image is different from that of major dramatic films. In typical major films, the camera assumes norms and conventions about the way the senses interact with image to help create a coherent space-time in the film. Thus, it may shape the body that receives the image as a uniformly socialized abstract body. In contrast, Brakhage's shimmering images aim to go outside such theatrical cinematic realities. |
|||||||||
| 言語 | en | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 論文 | |||||||||
| 言語 | ja | |||||||||
| 書誌情報 |
en : Phantastopia 巻 1, p. 115-135, 発行日 2022 |
|||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 2436-6692 | |||||||||
| 出版者 | ||||||||||
| 出版者 | Phantastopia編集委員会 | |||||||||
| 言語 | ja | |||||||||
| 関係URI | ||||||||||
| 関連タイプ | isReferencedBy | |||||||||
| 識別子タイプ | URI | |||||||||
| 関連識別子 | https://phantastopia.com/ | |||||||||
