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  1. 132 東洋文化研究所
  2. 東洋文化研究所紀要
  3. 166
  1. 0 資料タイプ別
  2. 30 紀要・部局刊行物
  3. 東洋文化研究所紀要
  4. 166

回復される均衡 : 元雑劇「緋衣夢」試論

https://doi.org/10.15083/00026832
https://doi.org/10.15083/00026832
c3017c65-fcf5-42b1-8b1a-d2ea44c237e8
名前 / ファイル ライセンス アクション
ioc166002.pdf ioc166002.pdf (694.5 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2015-01-05
タイトル
タイトル 回復される均衡 : 元雑劇「緋衣夢」試論
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.15083/00026832
ID登録タイプ JaLC
その他のタイトル
その他のタイトル Recovering the Balance: A Reading of Yuan Courtroom Drama Feiyimeng 緋衣夢
著者 廣瀬, 玲子

× 廣瀬, 玲子

WEKO 59115

廣瀬, 玲子

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著者別名
識別子Scheme WEKO
識別子 59116
姓名 Hirose, Reiko
抄録
内容記述タイプ Abstract
内容記述 Feiyimeng 緋衣夢 is a piece of courtroom drama which deals with a murder case. The author attempts to prove that this drama enacts the process of recovering some imbalances among characters. The plot is as follows: Li Qing’an 李慶安, a son of a merchant, has been engaged to Wang Runxiang 王閏香, a daughter of another merchant. Their fathers used to be good friends, but as the Li family gets poor, father Wang decides to cancel the engagement. Wang Runxiang comes up with the idea of sending some valuables to Qing’an to make betrothal money. One night, just before Qing’an comes to Wang’s garden to receive it from her maid, a villain called Fei Yan 裴炎 sneaks into the garden, kills the maid and steals the money. Runxiang’s father accuses Qing’an as murderer, and the officer falsely gives a sentence of death on him. As new judge Qian Ke 銭可 arrives at the office and reinvestigates the case, supernatural force prevents him from execution of Qing’an. Qian Ke then makes Qing’an sleep in the prison shrine. The words Qing’an says in his sleep forms a puzzle, so Qian Ke solves it and gets the murderer’s name. Even though the murderer is caught, the case is not yet settled, because Qing’an’s father condemns Wang in turn for the false accusation. Runxiang apologizes for what her father has done and persuades Li to excuse him. The proposal of Wang family, to take care of all the betrothal money to compensate the injustice, is finally accepted by Li. Judge Qian Ke decides to give a banquet to celebrate their marriage. The author’s reading is as follows: The drama begins with the economic gap between two families. The imbalance finally leads them to the court, and culminates in the death sentence. At the last moment, with the help of supernatural force, the judge is able to reveal the truth and all the imbalances are redressed at the end. The finale is the marriage which offers prospects for prosperous future of two families. Also, in Feiyimeng, there are several elements that are common with other Yuan courtroom dramas. They must have served to make the audience feel familiar and enjoy the performance. The author thus concludes that we can situate Feiyimeng as a drama of celebration for merchants in the cities, which presents a phase of theatrical evolution from consolation of wandering spirits to secular entertainment.
書誌情報 東洋文化研究所紀要

巻 166, p. 29-66, 発行日 2014-12
ISSN
収録物識別子タイプ ISSN
収録物識別子 05638089
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00170926
出版者
出版者 東京大学東洋文化研究所
出版者別名
Institute for Advanced Studies on Asia, The University of Tokyo
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