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  1. 114 人文社会系研究科・文学部
  2. 22 考古学
  3. 東京大学文学部考古学研究室研究紀要
  4. 2
  1. 0 資料タイプ別
  2. 30 紀要・部局刊行物
  3. 東京大学文学部考古学研究室研究紀要
  4. 2

メソアメリカに於けるシンボルの諸体系

https://doi.org/10.15083/00029665
https://doi.org/10.15083/00029665
de6e6a8b-eba0-4ede-9b59-2b775cad379f
名前 / ファイル ライセンス アクション
KJ00004312264.pdf KJ00004312264.pdf (4.8 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2007-03-30
タイトル
タイトル メソアメリカに於けるシンボルの諸体系
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.15083/00029665
ID登録タイプ JaLC
その他のタイトル
その他のタイトル The Symbol Systems of Mesoamerica
著者 狩野, 千秋

× 狩野, 千秋

WEKO 65018

狩野, 千秋

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著者別名
識別子Scheme WEKO
識別子 65019
姓名 Kano, Chiaki
著者所属
著者所属 東京大学文学部考古学研究室
抄録
内容記述タイプ Abstract
内容記述 Before the appearance of writing in Mesoamerica, symbols with a religious significance had appeared. These symbols were of course devised by the Olmecs and they seem to have been used to symbolize the attributes and functions of the gods and at the same time as a means of distinguishing between the gods. In Mayan culture also, a number of important signs which were included among the hieroglyphs often appear independently, attached to images of gods and to religious vestments and ceremonial objects. In these cases, it can be considered that they were performing some specific symbolic function, having been removed from the context of the calendar or inscriptions. These iconographic features surely follow the traditions of the Olmec styles and can be inferred to have been a intermediate culture; in particular, they were inherited by the Mayans through the Izapa style. The themes or subjects of the symbols are tropical animals and birds, such as jaguars, snakes, crocodiles, owls, etc. ; plants, such as corn ; natural forces and phenomena, such as rain, water, fire, wind, thunder, storms; celestial bodies, such as the sun, the moon, Venus, etc. . Intellectual associations or mythological themes linking the concept "precious" to rain and water and jade, etc. are also expressed through these symbols. The basic composition principles of the symbols had already been regulated in the Olmec time. A realistic image was first dissolved into its component elements, and each element was then abstracted and transformed into a cipher-type geometric pattern. Next, the different, composite symbols would be newly created by making various combinations of the cipher-like elements. Olmec symbols include the U-shape, the X-shape (the St. Andrew's cross or crossed bands), V-shape, Y-shape, stepped motifs, crosses, petal shapes, quincunx, rhomboids, circlets or circles and dots, spirals, etc.. These symbols are attached to colossal heads, stone monu-ments, stela, altars, rock carvings, reliefs, masks, Celts, figurines, ceramic wares, etc. . In the Izapa style, the number of symbols is limited compared to the Olmec style, but the symbols are more developed and formal in design and more decorative. As for the symbols inherited from the Olmecs, the U-shape and the X-shape are most common, and in the Izapa style these symbols are attached to compound creatures which combine the characteristics of felines and reptiles. Olrriec symbols were also incorporated in the Zapotecan style and are to be found in tumuli murals, in stelae, and in effigy urns of humans; animals, birds, etc. In the Izapa and Zapotecan age, there were plentiful contacts with the Teotihuacan culture in the Valley of Mexico, and this led to appearance of various new, kinds of symbols. Ultimately; these symbols were all absorbed by the Maya hieroglyphs, resulting in the creation of the only high-level glyph system in Mesoamerica. The date, month, time, and numbers were all considered sacred by the Mayans and each was linked with specific gods. In the case of the Mayans, most of the symbols created by the Olmecs were adopted as symbols to express calendar dates and each month. For exa-mple, the U-shape was used for the moon or as the symbol of the M god, the X-shape was the sign of the Uo month or was used in connection with the Dragon god (bird-serpent god) and the moan bird. The cross was called the Kan cross and was incorporated into the hieroglyph for Pop, the first month of the year and was related to the Jaguar god. The T-shape was used as the glyph for the IK day and was the symbol of the long-tipped god or the B god. Besides these, the petal sign was used as the Kin sign and was ahe symbol of the Suri god; circles and circlets were the signs of the water day Muluc; the rhomboid was the symbol of Lamat day. and was related to Venus. The various abstract signs described above were devised by the Olmecs, but iconographically speaking; we do not yet have an adequate understanding of the actual shape of the original images. This paper analyses the main symbols, such as the U-shape, the X-shape, the cross; the quincunx etc., indicates their original shapes, then offers a hypothesis concerning the process by which they were transformed; into abstract symbols.
書誌情報 東京大学文学部考古学研究室研究紀要

巻 2, p. 229-292, 発行日 1983-08-16
ISSN
収録物識別子タイプ ISSN
収録物識別子 02873850
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00340298
フォーマット
内容記述タイプ Other
内容記述 application/pdf
日本十進分類法
主題Scheme NDC
主題 202.5
出版者
出版者 東京大学文学部考古学研究室
出版者別名
The Department of Archaeology, Faculty of Letters, the University of Tokyo
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