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柳宗悦における宗教と芸術 : 初期の思想と実践を中心に
https://doi.org/10.15083/00030552
https://doi.org/10.15083/00030552b9346846-fd5f-419b-a778-c88e9fedef97
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
rel02007.pdf (1.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-10-13 | |||||
| タイトル | ||||||
| タイトル | 柳宗悦における宗教と芸術 : 初期の思想と実践を中心に | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00030552 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Yanagi Muneyoshi's Study of Religion and Art : Early Thought and Activities | |||||
| 著者 |
李, 勝鉉
× 李, 勝鉉 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 67057 | |||||
| 姓名 | LEE, Seunghyun | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学大学院博士課程 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Philosopher of religion Yanagi Muneyoshi (1889-1961), born in the Meiji period and active throughout the Taisho and Showa periods, propagated a unique view of religion known as the "religion of aesthetics" (bi no shukyo). At the beginning of his career, Yanagi studied western culture through his participation in the "White Birch" (Shirakaba) literary group. He later turned his attention to eastern culture and formed his own thoughts on religion in the course of founding the "Folk Art Movement" (mingei undo). His activities at this time encompassed a wide spectrum, ranging from a quest for "pure" religious truth to the study of art. Yanagi embraced both religion and art at once, and stated that they were in fact originally "not two" (funi], but rather one and the same. When Yanagi became interested in eastern culture he also encountered Korean folk culture for the first time. Strongly impressed by the beauty of items for daily use, created by simple Korean people who did not personalize their works by imprinting their names upon them, he began to advocate a theory of "folk art." Previous studies of Yanagi have been undertaken from the three separate disciplinary viewpoints of folk art, Korean culture, and religious studies. However, for Yanagi himself, these three aspects remained inseparable throughout his entire life. This article attempts to keep his perspective in mind. It is in the interest of maintaining this inclusive perspective that I focus on Yanagi's early religious thought, from the years 1910 to 1924, while focusing initially on his activities in the Shirakaba group and his relationship with Korea. It was during these years that he chose the career of a philosopher of religion, began the search for a universal concept of religion which would fuse eastern and western ideas, and finally created a theory of religion and art which considered both as an indivisible entity. His initial encounter with the Korean people also falls into this period. Investigation of this stage of Yanagi's life will, I believe, reveal the most essential foundations of his thought. | |||||
| 書誌情報 |
東京大学宗教学年報 巻 20, p. 89-105, 発行日 2003-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02896400 | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 160 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学文学部宗教学研究室 | |||||
| 出版者別名 | ||||||
| Department of Religious Studies. The University of Tokyo | ||||||
