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Before the modern period, there were myths, legends and folk (fairy) tales. Similar trends can be identified in textbooks and guidebooks for behavior, morality and religion of this era. In the nineteenth century, Hans Christian Andersen created original tales for children. In May 1835, he published a short volume entitled Eventyr, fortalte for Boern, containing the original story \"Little Ida\u0027s Flowers,\" which is considered to be the advent of children\u0027s literature. Andersen\u0027s story integrated imaginative folk beliefs and the realism of modern science. Many authors in England subsequently contributed to this new literary genre. In Japan, Kenji Miyazawa was also influenced by Andersen\u0027s story. He was a celebrated author who was simultaneously a promoter of faith in the Lotus Sutra. The literary and religious sides of his stories are thus inseparable, and his tales contain aspects of both imagination and realism. A dual-structured work of his that balances the fantastic and the mundane, called \"Frame Story,\" typifies Miyazawa\u0027s style of fantasy. In his fables, a hero or heroine breaks through to another world from reality. Miyazawa was unsuccessful in his religious activity in real life, yet he attempted to surmount his troubles through literary fantasy. He strongly believed that fantasy could take us to the realm of truth which lies beyond reality. Miyazawa\u0027s dualism can be compared to children\u0027s primitive religious consciousness. The religious view of children is typified by aspects of prognostication, reunion, absorption and prayerfulness. Children correspond with God in their imaginations without departing from reality. They become absorbed in the realm of imagination, then turn back to face reconstructed real life. Thus children can gain experience, develop their imaginations, and apprehend the spiritual world as truth. Children\u0027s authors similarly made full use of their imaginations in creating alternate realities and, through this, attempt to understand the meaning of the world. Trying to escape from one\u0027s troubles in reality, one is not able to overcome difficulties. However, once absorbed into the world of imagination and separated from reality, one stands face to face with one\u0027s own troubles. Thus one re-encounters the world objectively, and finds a means to overcome difficulty. Children\u0027s literature maintains a balance between reality and fantasy, because it uses the power of children\u0027s imagination, which is why it is an effective means of conveying an author\u0027s religious view. 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児童文学の宗教性
https://doi.org/10.15083/00030553
https://doi.org/10.15083/00030553eb8be153-8244-43fb-b28b-4e0893403380
名前 / ファイル | ライセンス | アクション |
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rel02008.pdf (1.4 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2011-10-13 | |||||
タイトル | ||||||
タイトル | 児童文学の宗教性 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15083/00030553 | |||||
ID登録タイプ | JaLC | |||||
その他のタイトル | ||||||
その他のタイトル | The Religious Nature of Children's Literature | |||||
著者 |
大澤, 千恵子
× 大澤, 千恵子 |
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著者別名 | ||||||
識別子 | 67059 | |||||
識別子Scheme | WEKO | |||||
姓名 | OSAWA, Chieko | |||||
著者所属 | ||||||
著者所属 | 東京大学大学院博士課程 | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Much of the content and subject matter of children's literature includes religious aspects. Before the modern period, there were myths, legends and folk (fairy) tales. Similar trends can be identified in textbooks and guidebooks for behavior, morality and religion of this era. In the nineteenth century, Hans Christian Andersen created original tales for children. In May 1835, he published a short volume entitled Eventyr, fortalte for Boern, containing the original story "Little Ida's Flowers," which is considered to be the advent of children's literature. Andersen's story integrated imaginative folk beliefs and the realism of modern science. Many authors in England subsequently contributed to this new literary genre. In Japan, Kenji Miyazawa was also influenced by Andersen's story. He was a celebrated author who was simultaneously a promoter of faith in the Lotus Sutra. The literary and religious sides of his stories are thus inseparable, and his tales contain aspects of both imagination and realism. A dual-structured work of his that balances the fantastic and the mundane, called "Frame Story," typifies Miyazawa's style of fantasy. In his fables, a hero or heroine breaks through to another world from reality. Miyazawa was unsuccessful in his religious activity in real life, yet he attempted to surmount his troubles through literary fantasy. He strongly believed that fantasy could take us to the realm of truth which lies beyond reality. Miyazawa's dualism can be compared to children's primitive religious consciousness. The religious view of children is typified by aspects of prognostication, reunion, absorption and prayerfulness. Children correspond with God in their imaginations without departing from reality. They become absorbed in the realm of imagination, then turn back to face reconstructed real life. Thus children can gain experience, develop their imaginations, and apprehend the spiritual world as truth. Children's authors similarly made full use of their imaginations in creating alternate realities and, through this, attempt to understand the meaning of the world. Trying to escape from one's troubles in reality, one is not able to overcome difficulties. However, once absorbed into the world of imagination and separated from reality, one stands face to face with one's own troubles. Thus one re-encounters the world objectively, and finds a means to overcome difficulty. Children's literature maintains a balance between reality and fantasy, because it uses the power of children's imagination, which is why it is an effective means of conveying an author's religious view. It is through the religiosity of children's literature that we will be able to cope with difficulties and make a new life, providing we realize that realities can often be influenced by our own imaginations. | |||||
書誌情報 |
東京大学宗教学年報 巻 20, p. 107-121, 発行日 2003-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 02896400 | |||||
日本十進分類法 | ||||||
主題 | 160 | |||||
主題Scheme | NDC | |||||
出版者 | ||||||
出版者 | 東京大学文学部宗教学研究室 | |||||
出版者別名 | ||||||
Department of Religious Studies. The University of Tokyo |