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鮮演の用いる比喩について
https://doi.org/10.15083/00037014
https://doi.org/10.15083/00037014e314680f-2ec1-4a08-af86-d6c43f41dea3
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
ib014004.pdf (789.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-06-30 | |||||
| タイトル | ||||||
| タイトル | 鮮演の用いる比喩について | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00037014 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | On the Metaphor that Xianyan uses | |||||
| 著者 |
吉川, 太一郎
× 吉川, 太一郎 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 136103 | |||||
| 姓名 | Yoshikawa, Taichirō | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学大学院 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | From the tenth century to the twelfth century beginnig, the Liao 遼dynasty (916–1125) governed the northeastern China. The successive emperors believed in Buddhism deeply, and the Buddhism culture of Liao developed very much. Liao Buddhism produced a large number of monks. One of them was Xianyan 鮮演(?–1118), who was known as a scholar of Huayan thought. Xianyan’s Huayan jing tanxuan jueze 華厳経談玄決択, which is a commentary on Chengguan’s 澄観(738–839) Huayan jing shu 華厳経疏and Suishu yanyi chao 随疏演義 鈔, occupies the important position as a work showing the high level of Liao Buddhism. And the manuscript is kept in Kanazawabunko 金沢文庫in Japan. As a characteristic of Xianyan overlooked in a precedent study, we can point out his overuse of a metaphor. When some contradiction occurs in an argument about a doctrine, he tends to try cancellation of it with a unique metaphor. On that occasion, he often pushes forward proof while comparing a metaphor and teaching one by one. Such a tendency of Xianyan lets us recall Zongmi 宗密(780–841). He also overuses metaphors and compares a metaphor and teaching. He suggests that one should refer to the footnote at which teaching is written in after understanding a sentence of a metaphor completely. In this article, we hypothesize that there is the influence of Zongmi in a background of Xianyan’s overuse of a metaphor. Secondly, we examine an example of the Huayan jing tanxuan jueze concretely in order to verify the above-mentioned hypothesis and elucidate that Xianyan succeeds to Zongmi’s style of a description. | |||||
| 書誌情報 |
インド哲学仏教学研究 巻 14, p. 73-85, 発行日 2007-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 09197907 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10419736 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 126 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院人文社会系研究科インド哲学仏教学研究室 | |||||
| 出版者別名 | ||||||
| Department of Indian Philosophy and Buddhist Studies Graduate School of Humanities and Sociology, the University of Tokyo | ||||||
