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具象への回帰を超えて : クレメント・グリーンバーグと1950年代の具象美術家
https://doi.org/10.15083/00037249
https://doi.org/10.15083/000372493c4196e0-7a42-438a-bd41-8a1fe0908624
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
atk005010.pdf (967.4 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2010-03-16 | |||||
| タイトル | ||||||
| タイトル | 具象への回帰を超えて : クレメント・グリーンバーグと1950年代の具象美術家 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00037249 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Beyond the Return to Figuration : Clement Greenberg and Figurative Artists in the 1950s | |||||
| 著者 |
加治屋, 健司
× 加治屋, 健司 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 136345 | |||||
| 姓名 | Kajiya, Kenji | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学（院） | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper investigates the ways in which American art critic Clement Greenberg transformed his art criticism in relation to the revival of figurative paintings among young artists in downtown New York in the 1950s. Greenberg has been considered to be a lifelong advocator of abstract art. In his early stage, Greenberg contended that advanced art should be abstract through emphasis on its own medium rather than on what it represents. The 1950s, however, saw the emergence of figurative painters who were inspired largely by Willem de Kooning's Woman I, the painting that broke away from the burden of abstraction. Their popularity urged Greenberg to reconsider the significance of abstract art, discovering the important role of visuality as a common ground between abstract and representational art. He thus came to recognize the importance of abstract art once again because it tells us more clearly how to apprehend the visual features of works of art than representational art does. Greenberg's propagation of abstract art in the 1960s should be considered not to be the extension of his reductionist position in the 1940s but rather to be the consequence of his attention to the visual function of abstract art which he discovered through his experience of figurative paintings in the 1950s | |||||
| 書誌情報 |
アメリカ太平洋研究 = Pacific and American studies 巻 5, p. 105-117, 発行日 2005-03 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13462989 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11562201 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 312.9 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院総合文化研究科附属アメリカ太平洋地域研究センター | |||||
| 出版者別名 | ||||||
| Center for Pacific and American Studies of The University of Tokyo | ||||||
