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After almost 25 years, he wrote Slaughterhouse-Five (1969) based on this experience. His main worry in this novel, also in his early works to a lesser extent, was that writing about one\u0027s war experience may result in encouraging another war, because the very act of narrating stories about war makes war meaningful, when war itself is meaningless. Even when one is entirely anti-war, one cannot avoid simplifying and conventionalizing war. It took Vonnegut such a long time, and six novels, to find the right way to narrate his experience without simplifying it. This paper attempts to show that Vonnegut avoids turning his experience into cliches in Slaughterhouse-Five by breaking apart destruction of narrative structures. For Vonnegut, who emphasizes that we have no right discourse for telling about war that is the ultimate and only way of telling his war experience. In order to do so, he resorts to his plain style and science-fiction devices. I also discuss Mother Night (1961) in the same context. The novel is Vonnegut\u0027s first attempt to examine the danger of narrative. He gives the protagonist too many narratives of his true \"\"self\"\" and those multiple selves ruin the protagonist. 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「自己という現象」の自壊 : カート・ヴォネガットの『母なる夜』と「スローターハウス5』を中心に
https://doi.org/10.15083/00037274
https://doi.org/10.15083/0003727402e7f746-0677-4267-b713-934585ab9ea0
名前 / ファイル | ライセンス | アクション |
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atk003010.pdf (1.1 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2010-03-24 | |||||
タイトル | ||||||
タイトル | 「自己という現象」の自壊 : カート・ヴォネガットの『母なる夜』と「スローターハウス5』を中心に | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15083/00037274 | |||||
ID登録タイプ | JaLC | |||||
その他のタイトル | ||||||
その他のタイトル | The Collapse of Narratives of Self : Kurt Vonnegut's Mother Night and Slaughterhouse-Five | |||||
著者 |
宮本, 文
× 宮本, 文 |
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著者別名 | ||||||
識別子 | 136377 | |||||
識別子Scheme | WEKO | |||||
姓名 | Miyamoto, Aya | |||||
著者所属 | ||||||
著者所属 | 東京大学(院) | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In 1945, during WW II, Kurt Vonnegut experienced the bombing in Dresden. After almost 25 years, he wrote Slaughterhouse-Five (1969) based on this experience. His main worry in this novel, also in his early works to a lesser extent, was that writing about one's war experience may result in encouraging another war, because the very act of narrating stories about war makes war meaningful, when war itself is meaningless. Even when one is entirely anti-war, one cannot avoid simplifying and conventionalizing war. It took Vonnegut such a long time, and six novels, to find the right way to narrate his experience without simplifying it. This paper attempts to show that Vonnegut avoids turning his experience into cliches in Slaughterhouse-Five by breaking apart destruction of narrative structures. For Vonnegut, who emphasizes that we have no right discourse for telling about war that is the ultimate and only way of telling his war experience. In order to do so, he resorts to his plain style and science-fiction devices. I also discuss Mother Night (1961) in the same context. The novel is Vonnegut's first attempt to examine the danger of narrative. He gives the protagonist too many narratives of his true ""self"" and those multiple selves ruin the protagonist. At last, the protagonist gives up the narrative of his true ""self"" and kills himself, instead of trying to prove its truth by telling about it. | |||||
書誌情報 |
アメリカ太平洋研究 = Pacific and American studies 巻 3, p. 163-177, 発行日 2003-03 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 13462989 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA11562201 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
日本十進分類法 | ||||||
主題 | 312.9 | |||||
主題Scheme | NDC | |||||
出版者 | ||||||
出版者 | 東京大学大学院総合文化研究科附属アメリカ太平洋地域研究センター | |||||
出版者別名 | ||||||
Center for Pacific and American Studies of The University of Tokyo |