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太鼓の表象とマスキュリニティの構築 : 民俗伝統による日本人と日系アメリカ人の抵抗
https://doi.org/10.15083/00037283
https://doi.org/10.15083/000372831a0b7f6e-f1b8-48df-92be-88a532a000ed
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
atk002010.pdf (1.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2010-03-16 | |||||
| タイトル | ||||||
| タイトル | 太鼓の表象とマスキュリニティの構築 : 民俗伝統による日本人と日系アメリカ人の抵抗 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00037283 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Representation of Taiko and the Construction of Masculinity : Japanese and Japanese American Resistance through a Folk Tradition | |||||
| 著者 |
小長谷, 英代
× 小長谷, 英代 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 136391 | |||||
| 姓名 | Konagaya, Hideyo | |||||
| 著者所属 | ||||||
| 著者所属 | 長崎シーボルト大学 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper argues that representations of taiko in an ethnic context allow Japanese and Japanese American youths to act out a form of resistance against dominant white American society. Their performance implicitly challenges the oppression of engendered relations that have historically represented Japanese or Asian men as inferior, weak, and feminine as opposed to superior, strong, masculine white men. During the rise of student activism in Japan and the Asian American movement in the United States in the 1960's, young Japanese and Japanese Americans redefined the folk tradition of taiko in such a way that it should empower their community as well as create their ethnic identity. In interpreting messages hidden in the guise of performance, this account examines the experience and social context of the individual taiko performer and group, and also the significance of taiko as it has been defined in Japanese and Japanese American history. My interpretation of taiko performance as a form of resistance includes observation of the typical costumes of the taiko performer, its association with the institution of class society in premodern Japan, the effect of modernization to working-class men, and the influences of popular culture. By further comparing the symbolism of taiko with an instance of African American folk expression of resistance, as well as a ritual form in a traditional Japanese community, the paper discusses the process by which Japanese and Japanese Americans construct their masculinity. | |||||
| 書誌情報 |
アメリカ太平洋研究 = Pacific and American studies 巻 2, p. 113-127, 発行日 2002-03 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13462989 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11562201 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 312.9 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院総合文化研究科附属アメリカ太平洋地域研究センター | |||||
| 出版者別名 | ||||||
| Center for Pacific and American Studies of The University of Tokyo | ||||||
