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憑依と創作 : 石川淳「佳人」試論
https://doi.org/10.15083/00037477
https://doi.org/10.15083/0003747768f54456-586d-4c4b-b437-ce334d22513f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
reny003005.pdf (715.5 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-07-10 | |||||
| タイトル | ||||||
| タイトル | 憑依と創作 : 石川淳「佳人」試論 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00037477 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Spirit Possession and the Narrative Impulse : A Reading of Ishikawa Jun's "Kajin" | |||||
| 著者 |
モリソン, ライアン
× モリソン, ライアン |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 88717 | |||||
| 姓名 | Morrison, Ryan | |||||
| 著者所属 | ||||||
| 著者所属 | 上智大学 | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学人文社会系研究科 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Ishikawa Jun's debut work "Kajin" (1935) tells the story of Watashi, an aspiring writer who, trapped within the confines of self-consciousness, longs to transcend himself and his world. The story begins with Watashi's description of his search for "the omphalos" (heso), a kind of metaphoric axis mundi that he feels compelled to locate. His search comes to an abrupt end when he realizes that the world is without any center. A quasi-religious epiphany in the next scene causes him to realize that he too lacks any center or core: "I am a mere void [...] Filled only with nothingness." This new knowledge compels him to embark upon a kind of "disappearing act," whereby he attempts to reduce himself to pure cogito or consciousness, with the ultimate goal of reaching a state of nonexistence. After his failed suicide attempt, however, he is suddenly transformed into a kind of pure living being or "wild beast" that immediately tracks down his wife's sister, ultimately ravishing her. Watashi abruptly ends his narrative with a confession that he has long suffered from a condition "known to the ancients as nympholepsy," which is produced and perpetuated by the goat-god Pan who apparently "possesses" him. In this paper I will explore these two themes of "possession" and "nympholepsy," and show how they relate both to Watashi's quest for self- and world-transcendence and to the narrative act itself. | |||||
| 書誌情報 |
れにくさ : 現代文芸論研究室論集 巻 3, p. 55-77, 発行日 2012-03-30 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1243121X | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 900 | |||||
| 出版者 | ||||||
| 出版者 | 現代文芸論研究室 | |||||
