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ブルーノ・シュルツ『偶像賛美の書』とザッヘル=マゾッホ『毛皮を着たヴィーナス』 : マゾヒストの身振り、あるいは創作の作法
https://doi.org/10.15083/00037491
https://doi.org/10.15083/000374917648f67a-d313-480e-97e1-358984886a14
名前 / ファイル | ライセンス | アクション |
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reny002005.pdf (5.0 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-07-10 | |||||
タイトル | ||||||
タイトル | ブルーノ・シュルツ『偶像賛美の書』とザッヘル=マゾッホ『毛皮を着たヴィーナス』 : マゾヒストの身振り、あるいは創作の作法 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15083/00037491 | |||||
ID登録タイプ | JaLC | |||||
その他のタイトル | ||||||
その他のタイトル | Bruno Schulz's The Idolatrous Book and Leopold von Sacher-Masoch's Venus in Furs : Masochistic Gestures or Artistic Creation | |||||
著者 |
加藤, 有子
× 加藤, 有子 |
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著者別名 | ||||||
識別子 | 88744 | |||||
識別子Scheme | WEKO | |||||
姓名 | Kato, Ariko | |||||
著者所属 | ||||||
著者所属 | 東京大学文学部・人文社会系研究科現代文芸論研究室 | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Bruno Schulz (1892-1942) and Leopold von Sacher-Masoch(1836-1895) are known for their works presenting a "masochistic" behavior of men toward women. Despite the reminiscence of the acquaintance of Schulz that Schulz created his clichéverre works for the series titled The Idolatrous Book (1920-22, 1924) as illustrations for Sacher-Masoch's novel Venus in Furs (1870), Sacher-Masoch's works have been hardly referred to in the studies on the works of Schulz. This paper aims to illustrate the influence of Venus in Furs on The Idolatrous Book as well as to reveal the common aesthetic concerns of the two artists. First, the paper details the difference between the original Venus in Furs and the Polish translation. Because of the numerous small modifications made by the anonymous translator, the Polish version became a sensational novel on sad-masochistic relationship between a man and a beautiful woman, which has caused Sacher-Masoch's works to become a taboo in the studies on Schulz. Second, the above mentioned reminiscence on Schulz's cliché-verre works is examined and confirmed with regard to the pictures of the young woman named Undula from The Idolatrous Book. Third, this paper identifies that female figures in The Idolatrous Book are represented as the goddess Venus appearing in modern times. Schulz drew traditional references to Venus, typically used in mythological paintings, in order to portray common women tyrannizing men who idolize them. Representing caricaturist-pornographic images of men and women in the form of mythological paintings, Schulz divide form and content, and in this way he defamilialized the genre of mythological paintings, which had been considered the highest form of paintings. He reversed not only the patriarchal gender relationship but also the hierarchy of genres in European paintings. Finally, the popular view on Schulz as a masochist is reconsidered. The common understanding of "masochism" of the interwar period leads us to the conclusion that Schulz played the role of a masochist only in the literary world. Similar to Sacher-Masoch, who represented the story of his novels in his real life, Schulz represented the image of his graphics. The two artists, while making masochistic gestures, dissolved the binary oppositions between model and artworks, artworks and creator, and reality and fictional world. They represent a new type of the artist, who not only creates an artwork as a demiurgos but who also evolves because of it. | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
書誌情報 |
れにくさ : 現代文芸論研究室論集 巻 2, p. 62-85, 発行日 2010-12-27 |
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書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA1243121X | |||||
日本十進分類法 | ||||||
主題 | 900 | |||||
主題Scheme | NDC | |||||
出版者 | ||||||
出版者 | 現代文芸論研究室 |