WEKO3
アイテム
20世紀アメリカ小説と映画
https://doi.org/10.15083/00037498
https://doi.org/10.15083/00037498cf9e1368-b9f5-492d-8ac0-1edc961ad6ba
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-07-10 | |||||
タイトル | ||||||
タイトル | 20世紀アメリカ小説と映画 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15083/00037498 | |||||
ID登録タイプ | JaLC | |||||
その他のタイトル | ||||||
その他のタイトル | The Film and Twentieth-Century American Fiction | |||||
著者 |
柴田, 元幸
× 柴田, 元幸 |
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著者別名 | ||||||
識別子 | 88758 | |||||
識別子Scheme | WEKO | |||||
姓名 | Shibata, Motoyuki | |||||
著者所属 | ||||||
著者所属 | 東京大学大学院人文社会系研究科・文学部現代文芸論研究室 | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The film industry is generally portrayed negatively in American fiction during the first half of the 20th century. What is more significant, though, is the fact that the birth of the film made writers such as Dos Passos and Hemingway more conscious of the problem of the viewpoint: the eye of the camera, often presumed to be impersonal, cannot but be from someone's viewpoint and is thus always non-impersonal. This point is developed further by Delmore Schwartz's 1937 short story "In Dreams Begin Responsibilities," in which subjectivities of the film, the dream and unconscious overlap one another. In the latter half of the century, on the other hand, movies often constitute natural elements out of which authors create their novelistic reality. Steve Erickson can be seen as an extreme example -- his novels suggest movies provide the only material for men with which to build their reality. | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
書誌情報 |
れにくさ : 現代文芸論研究室論集 巻 2, p. 181-192, 発行日 2010-12-27 |
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書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA1243121X | |||||
日本十進分類法 | ||||||
主題 | 900 | |||||
主題Scheme | NDC | |||||
出版者 | ||||||
出版者 | 現代文芸論研究室 |