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クロアチア現代芸術を読む : 集団的記憶へのささやかな抵抗
https://doi.org/10.15083/00037507
https://doi.org/10.15083/0003750758743744-221e-40fb-8293-b25f320492c8
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
reny001005.pdf (2.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-07-10 | |||||
| タイトル | ||||||
| タイトル | クロアチア現代芸術を読む : 集団的記憶へのささやかな抵抗 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00037507 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Against Spectacle : Contemporary Arts in Croatia | |||||
| 著者 |
亀田, 真澄
× 亀田, 真澄 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 88778 | |||||
| 姓名 | Kameda, Masumi | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学大学院人文社会系研究科 | |||||
| 著者所属 | ||||||
| 著者所属 | ザグレブ大学哲学部 | |||||
| 著者所属 | ||||||
| 著者所属 | ザグレブ大学日本学科 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Croatian identity politics, especially after Croatia's independence from the former Yugoslavia, has focused on developing the self-image of a country from western Europe, not from the Balkans. Nostalgic stories about the Croatian kingdom and the Europe to which Croatia belongs are being created, exhibited and consumed in Croatia today, displacing and eliminating the heritage of the Balkans, the tragedy of the independence war, and the history of Yugoslavia. Croatian contemporary artists, however, are trying to resist this collective "amnesia". Contemporary art in post-communist Europe generally tries to form relationships with its social background. Croatian contemporary art is thus characterized by the tendency to mount performances and exhibitions that are so tiny, modest and personal that people hardly notice them. Their works problematise the new self-image of Croatia by exaggerating the tininess of performances, a strategy that paradoxically shows the grandness of the national narrative. While the grand narrative deploys the people into the spectacle, applauds the victory in the independence war, and creates a homogeneous Croatian history and culture, artists try to stress the war's meaninglessness, and the heterogeneousness and discontinuity in Croatia's history and culture. This paper analytically compares the attitude of the national cultural industry with artistic performances and works by several artists in Croatia, focusing on three mutually related topics: the concept of "Balkan", the memory of the war and the view of a cultural heritage which doesn't fit into the "homogeneous" history of Croatia. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Articles | |||||
| 書誌情報 |
れにくさ : 現代文芸論研究室論集 巻 1, p. 63-78, 発行日 2009-03-30 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1243121X | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 900 | |||||
| 出版者 | ||||||
| 出版者 | 現代文芸論研究室 | |||||
