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"Raphael without Hands" : The Idea of the Inner Form and its Transformations
https://doi.org/10.15083/00040406
https://doi.org/10.15083/00040406629b9152-3854-45d2-8a54-c654b98c91a4
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jt034004.pdf (1.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2012-03-05 | |||||
| タイトル | ||||||
| タイトル | "Raphael without Hands" : The Idea of the Inner Form and its Transformations | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00040406 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
OTABE, Tanehisa
× OTABE, Tanehisa |
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| 著者所属 | ||||||
| 著者所属 | University of Tokyo | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The idea of the inner form originates from the founder of Neoplatonism, Plotinus(205-270); the idea significantly influenced aesthetic theories from the Renaissance to the 18th century. The modern concept of artist is closely related to this Neoplatonic idea. While the meaning of the idea of the inner form cannot be emphasized enough, few have thus far attempted to examine the role this idea played in antiquity and the changes the idea underwent in the modern era. In this paper, I first examine Plotinus's theory in connection with Plato and Aristotle and then examine its influence on the aesthetic theories from the 18th to the 20th century, providing a new perspective on modern aesthetics. | |||||
| 書誌情報 |
Journal of the Faculty of Letters, the University of Tokyo, Aesthetics 巻 34, p. 55-63, 発行日 2010-03-24 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 03862593 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA00252031 | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 700 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院人文社会系研究科・文学部美学芸術学研究室 | |||||
| 出版者別名 | ||||||
| Faculty of Letters, the University of Tokyo | ||||||
