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《忠度の花》 : 修羅能における生と死2
http://hdl.handle.net/2261/37002
http://hdl.handle.net/2261/37002c1b9d550-25b3-4b06-91b8-24d38b1d7a26
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
da012004.pdf (932.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2010-08-06 | |||||
| タイトル | ||||||
| タイトル | 《忠度の花》 : 修羅能における生と死2 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Flower in "Tadanori" : Life and Death in the Warrior Play of the Noh Drama 2 | |||||
| 著者 |
玉村, 恭
× 玉村, 恭 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 95226 | |||||
| 姓名 | Tamamura, Kyo | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学人文社会系研究科 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In the Noh play "Tadanori," the play about a warrior Taira no Tadanori, "flower" is the key word. This word is used many times in important scenes, and symbolizes various things in each case. This paper pays attention to this, and investigates what "flower" symbolizes in each scene and what this symbolization means. By doing so, we can see how this work's author, purportedly Zeami, interprets Tadanori's life and death.<改行> Tadanori's ghost appears to a monk, who discarded his "flower" (courtly activities such as waka poetry) because of its vaniry, and recommends him to stay a night under the "flower" (Tadanori's grave). There Tadanori tells him that his mind's "flower" (adherence to waka poetry) tortures him even after his death, and that he wishes to sit on the "altar of flower" (the seat beside Buddha). Yet even so, he claims at the end of the play that "flower" is the lord of the stay that night and the lord of his life.<改行> "Flower" symbolizes, on the one hand, what people should avoid and discard; deep attachment to the courtly activities such as waka poetry, and, on the other, what people should wish and seek; Buddhist salvation. In addition, the fact that "flower" has two sides, positive and negative, is also symbolized by "flower"; the cherry tree in the Surna shore, that stands between the mountain and the sea and so is seen to belong to them both. "Flower," as it is, and whatever it is, goes back to its root - this is Tadanori's assertion, and it also symbolizes his life as a whole. | |||||
| 書誌情報 |
死生学研究 巻 12, p. 74-93, 発行日 2009-10-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18826024 | |||||
| ISBN | ||||||
| 識別子タイプ | ISBN | |||||
| 関連識別子 | 9784925210140 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11838867 | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 105 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院人文社会系研究科 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学グローバルCOEプログラム「死生学の展開と組織化」 | |||||
| 出版者別名 | ||||||
| Development and Systematization of Death and Life Studies | ||||||
