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ポスト講和期の日米文化交流と文学空間 : ロックフェラー財団創作フェローシップ（Creative Fellowship）を視座に
https://doi.org/10.15083/00047603
https://doi.org/10.15083/00047603c6c008e1-8a5f-4949-8f8b-f223e8b783ed
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
pas015014.pdf (1.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-07-20 | |||||
| タイトル | ||||||
| タイトル | ポスト講和期の日米文化交流と文学空間 : ロックフェラー財団創作フェローシップ（Creative Fellowship）を視座に | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00047603 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | The U.S.-Japan Cultural Interchange Program and Japanese Literary Scene in the Post-Peace Treaty Period : A Study of the Rockefeller Foundation’s Creative Fellowship | |||||
| 著者 |
金, 志映
× 金, 志映 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 142772 | |||||
| 姓名 | KIM, JIYOUNG | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | While much has been studied about the impact of the GHQ censorship imposed upon Japanese literature during the Occupation, little attention has been paid to the U.S. cultural policy toward the Japanese literary scene after the Occupation. The aim of this paper is to shed light on the Japanese literary scene in the post-peace treaty period as a battlefield of U.S. cultural diplomacy at the time of the Cold War. Immediately after the Occupation came to the end, the U.S. conducted an extensive cultural interchange program in Japan to strengthen the tie between the people of the two countries and counteract the influence of communism. The Rockefeller Foundation played a leading role in promoting U.S.-Japan cultural relations throughout the 1950s through a wide range of philanthropic activities. In 1953, the Foundation launched a fellowship program named “creative fellowship” to invite Japanese writers to the U.S. Up until 1962, as many as ten Japanese novelists and literary critics stayed up to a year in various parts of the U.S. under this fellowship program. This paper, based on thorough examination of Rockefeller Foundation Archive materials, investigates how and why this program was planned and operated. Although Foundation documents suggest that the program was initiated as a Cold War effort to combat a communist cultural offensive, as well as its affinity with the reorientation program of the Occupation period, it is not proper to simply dismiss it merely as propaganda. The paper explores what this program, conducted with close cooperation on the part of Japan, meant for both the U.S. and Japan in the context of complex domestic and international circumstances of the post-peace treaty period. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Articles | |||||
| 書誌情報 |
アメリカ太平洋研究 = Pacific and American studies 巻 15, p. 181-199, 発行日 2015-03 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13462989 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11562201 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院総合文化研究科附属グローバル地域研究機構アメリカ太平洋地域研究センター | |||||
| 出版者別名 | ||||||
| Center for Pacific and American Studies, Institute for Advanced Global Studies, The University of Tokyo | ||||||
