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  1. 114 人文社会系研究科・文学部
  2. 10 宗教学・宗教史学研究室
  3. 東京大学宗教学年報
  4. 35
  1. 0 資料タイプ別
  2. 30 紀要・部局刊行物
  3. 東京大学宗教学年報
  4. 35

公園の日蓮 : 福岡市博多区東公園《日蓮銅像》の歴史的意義について

https://doi.org/10.15083/00076252
https://doi.org/10.15083/00076252
ec686d52-6858-4746-bfb9-a86044c5e6e2
名前 / ファイル ライセンス アクション
rel035005.pdf rel035005.pdf (789.9 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2018-09-14
タイトル
タイトル 公園の日蓮 : 福岡市博多区東公園《日蓮銅像》の歴史的意義について
言語 ja
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.15083/00076252
ID登録タイプ JaLC
その他のタイトル
その他のタイトル Monument to Worship : On the Historical and Religious Significance of the Nichiren Statue in Higashi Park (Hakata-ku, Fukuoka)
言語 en
著者 髙瀬, 航平

× 髙瀬, 航平

WEKO 152057

ja 髙瀬, 航平

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著者別名
識別子Scheme WEKO
識別子 152058
姓名 TAKASE, Kohei
言語 en
著者所属
言語 ja
著者所属 東京大学
抄録
内容記述タイプ Abstract
内容記述 The Nichiren Statue is a bronze statue of Nichiren (1222-82), a Japanese Buddhist priest during Kamakura period. It is 10.6m in height and 74.25kg in weight. In 1890, Zenrei SANO (1859-1912), a Nichiren Buddhist monk, drew up a project to build this statue in Higashi Park (Hakata-ku, Fukuoka) and led its fund-raising campaign. A sculptor named Kyuichi TAKENOUCHI (1857-1916) designed and carved its wooden models and from them Sessei Okazaki (1854-1921), a caster, and Taniguchi Ironworks in Saga founded this work, which was finally unveiled in 1904. Ever since its completion, visitors have often burned incense to offer it to the statue. However, what is rather puzzling is that its location is not inside a temple but in a park, out in a public, open space. This is especially surprising considering that the building of the sacred statue was restricted by the government of Meiji Japan. Why is that the Nichiren Statue was allowed to be planned and erected in a park? This paper aims to follow the discourses on the purpose and significance of the Nichiren Statue during its construction process and attempts to interpret the meaning of the change in terms of its tone and logic in the social, political, and religious contexts at time. The author mainly explores “Nisshu Shimpo,” the organ of Nichiren Buddhist sects in Meiji and Taisho period. The following conclusions are obtained as a result of this study: 1) The Nichiren Statue was initially planned to be built on the site of its old battlefield in order to publicly honor the “services” of Nichiren during the Mongol Invasions of Japan, which took place in 1279 and in 1281. However, after the credibility of Nichiren’s deeds, in Nichiren Buddhist sects to be a prophecy of and a prayer for repelling the Mongol Invasions, came to be doubted by historians, it began to be claimed that the Nichiren Statue was not the statue of Nichiren to worship but the monument to the Mongol Invasion itself to incite patriotism under the outbreak of the First Sino-Japanese War (1894-95) and the Russo-Japanese War (1904-05). 2) Despite the transition in the arguments for it, the Nichiren Statue was viewed and exhibited in practice just like other portrait sculptures of Nichiren to worship. In 1899 and 1900, the casted parts of the statue, its full-scale wooden model, and its 1/50 scale iron maquette were opened to the public within the temple grounds on the way from Tokyo to Fukuoka. This event was held enthusiastically and was called “Kaicho,” which was the ceremony of revealing hidden Buddhist images as the way for visitors to worship them and for their temples to collect donations mainly during the Edo period.
言語 en
内容記述
内容記述タイプ Other
内容記述 論文/Articles
書誌情報
p. 79-94, 発行日 2018-03-31
ISSN
収録物識別子タイプ ISSN
収録物識別子 02896400
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN10032645
著者版フラグ
値 publisher
出版者
出版者 東京大学文学部宗教学研究室
言語 ja
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