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【特別寄稿】On Experiencing Japanese Noh and Thinking About Greek Lyric
https://doi.org/10.15083/00078911
https://doi.org/10.15083/0007891198e59fbf-91c8-491f-945e-6ce6184f2b1a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
seiyokoten011003.pdf (254.3 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2019-12-12 | |||||
| タイトル | ||||||
| タイトル | 【特別寄稿】On Experiencing Japanese Noh and Thinking About Greek Lyric | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00078911 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | [Special Contribution] On Experiencing Japanese Noh and Thinking About Greek Lyric | |||||
| 著者 |
Cazzato, Vanessa
× Cazzato, Vanessa |
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| 著者所属 | ||||||
| 著者所属 | CNRS/ANHIMA | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper was occasioned by a ten-month Visiting Fellowship at Tokyo University, during which I was engaged in research on Greek lyric poetry at the same time as I was discovering Noh for myself through attendance at numerous performances. The argument pushes against the traditional and ubiquitous comparison between Noh and Athenian tragedy to propose instead the entirely original comparison between Noh and Greek lyric poetry. It begins by sweeping aside some Aristotelian theoretical ‘baggage’: Aristotelian notions regarding tragedy have been hugely influential – they have arguably shaped western dramatic tradition – but they are distracting for understanding both Greek lyric and Japanese Noh. The main body of the paper expands on the similarities between Noh and Greek lyric as against tragedy. It points to some ways in which consideration of these similarities of Noh and lyric can open up ways of understanding some aspects of Greek lyric poetry that are normally considered difficult, such as its use of a fluid persona or its play with different time-frames. It also insists on the heuristic value of experiencing in performance a form of poetry at once so unlike western dramatic tradition and so like Greek lyric poetry. While all that scholars of Greek lyric have to work with are dry textual remains requiring extensive reconstruction and exegesis, the experience of Noh can suggest the embodied mental experience of lyric poetry as a performed medium. |
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| 書誌情報 |
東京大学西洋古典学研究室紀要 巻 11, p. 53-81, 発行日 2019-08 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1281090X | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院人文社会系研究科西洋古典学研究室 | |||||
