WEKO3
アイテム
トマス・エイキンズと写真的視覚の発見 : アメリカン・リアリズム再考
https://doi.org/10.15083/00037272
https://doi.org/10.15083/000372724cb048b2-36e5-483e-ac89-dbd30a52246c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
atk003007.pdf (1.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2010-03-16 | |||||
| タイトル | ||||||
| タイトル | トマス・エイキンズと写真的視覚の発見 : アメリカン・リアリズム再考 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00037272 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Thomas Eakins and the Discovery of Photographic Vision : American Realism Reconsidered | |||||
| 著者 |
小林, 剛
× 小林, 剛 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 136373 | |||||
| 姓名 | Kobayashi, Go | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学（院） | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | What is the essence of ""American Realism""? This paper tries to answer this difficult question from a new perspective by reconsidering ""realism"" as a socially constructed narrative, re-examining the differences between the cultural contexts of European and American realisms, and reintroducing the significance of photographic vision into the discussion of American Realism. As Michael Davitt Bell points out, ""it is hard to see Howells, Twain, and James-not to mention such successors as Sarah Orne Jewett, Frank Norris, Stephen Crane, and Theodore Dreiser-as constituting any single literary tradition or ""school"" of literature; the differences among their characteristic modes are far more striking than the similarities."" Then how did they conceive ""realism"" in the almost same sense? Instead of arguing this problem in the conventional field of literature, this paper explores pictorial realisms-especially Thomas Eakins's realism-and the cultural roles of photography in the late nineteenth century in order to introduce an interdisciplinary approach, and concludes that, for Americans of the period, photographic vision represented the way they visualized and realized their own imagined communities and themselves. Because of limited space, my analysis is applied only to a pair of oil paintings Thomas Eakins's Max Schmitt in a Single Scull and Jean Leon Gerome's Excursion of the Harem-, but I believe that my argument is valid even in the general discussion of American Realism. | |||||
| 書誌情報 |
アメリカ太平洋研究 = Pacific and American studies 巻 3, p. 115-129, 発行日 2003-03 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13462989 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11562201 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 312.9 | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院総合文化研究科附属アメリカ太平洋地域研究センター | |||||
| 出版者別名 | ||||||
| Center for Pacific and American Studies of The University of Tokyo | ||||||
