WEKO3
アイテム
「子供を救え」の余韻 : 小説と応答可能性
https://doi.org/10.15083/00037506
https://doi.org/10.15083/00037506dc325e8c-e303-463c-8777-f48541a7eaff
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
reny001004.pdf (1.7 MB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-07-10 | |||||
| タイトル | ||||||
| タイトル | 「子供を救え」の余韻 : 小説と応答可能性 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00037506 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Reverberations of "Save the Children" : The Novel and Responsibility | |||||
| 著者 |
ガブラコヴァ, デンニツァ
× ガブラコヴァ, デンニツァ |
|||||
| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 88776 | |||||
| 姓名 | Gabrakova, Dennitza | |||||
| 著者所属 | ||||||
| 著者所属 | 香港城市大学中文翻訳言語学学科 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper is an attempt to establish a dialog between three literary works belonging to various historical and social contexts: a short story by Lu Xun, a novella by Oe Kenzaburo and a novel by Shimada Masahiko. The superposition of these three texts with their adjacent contexts is centered on the repetition of the utterance "Save the Children", which on the one hand is conceptualized as an echo or reverberation in order to capture its ability to stir and provoke, and on the other as a link to the mechanisms of utopia as a repeated superposition. Such mechanisms reflect on or reverberate within the narrative structure of the works through the destabilizing utterance "Save the Children" and the split narrators who function as mediators of the utopian as never coinciding with itself. In a similar way the instances of historical and social violence ambiguously incorporated into the structure of these fictions are to be considered in terms of the various literary devices mobilized by the texts in order to establish a dialog with the world surrounding them. In relation to the central concept of reverberation this narrative strategy can be best interpreted in terms of responsiveness and connected to the idea of historical and social responsibility in literary genre. Such a responsibility towards historical and social violence supplemented by a faint vision of a future decontextualized from the intricate web of historical and social relationship and projected onto the trope of the children, is only possible at the price of self-reflectively undermining the integrity of the narrator and the coherence of the utopian utterance through mechanisms of parody and laughter. Thus the utopian impulse can be grasped as an isolated reverberation amidst a polyphony of narrative voices, inviting a parallel with the position of the literary vis-à-vis social engagement. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Articles | |||||
| 書誌情報 |
れにくさ : 現代文芸論研究室論集 巻 1, p. 50-62, 発行日 2009-03-30 |
|||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1243121X | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 900 | |||||
| 出版者 | ||||||
| 出版者 | 現代文芸論研究室 | |||||
