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Generative-Destructive Aesthetics as an Answer to the ""End of Art"" : Some Reflections on Th. W. Adorno's Music Aesthetics
https://doi.org/10.15083/00040446
https://doi.org/10.15083/00040446f2029c25-9a1c-4ad0-a32b-ae98e5fd6389
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jt026004.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2007-06-14 | |||||
| タイトル | ||||||
| タイトル | Generative-Destructive Aesthetics as an Answer to the ""End of Art"" : Some Reflections on Th. W. Adorno's Music Aesthetics | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00040446 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Günter, Seubold
× Günter, Seubold |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The following essay tries to turn a thorough reading of Adorno's analyses and reflections on aesthetics - and on music aesthetics in particular - to good account for a sufficient understanding and aesthetically productive assimilation of the ""end of art""-thesis. I have endeavored to show in part I that a thesis concerning the ""end of art"", which in this context implies advancement modernism (Fortschrittsmoderne), is very conspicuous in Adorno's works, where advancement modernism is to be understood as modernism negating tradition (in an abstract sense), ousting especially the expressive music of the nineteenth century and insisting on permanant innovation. Using Adorno's interpretation of Mahler and Berg as a point of departure, I have demonstrated in part II that Adorno's work does feature a concept of modernism which incorporates the two fundamental postulates of postmodernism - integration of tradition and popular art -, simultaneously submitting them to severe criticism (part III). To conclude, availing myself of the concept ""generative-destructive aesthetics"" gained from a perusal of Adorno's works, I have ventured to provide evidence for the relevance of Adorno's approach to a productive understanding of the ""end of art""-thesis today. | |||||
| 書誌情報 |
Journal of the Faculty of Letters, the University of Tokyo, Aesthetics 巻 26, p. 51-62, 発行日 2002-03-24 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 03862593 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA00252031 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 700 | |||||
| 出版者 | ||||||
| 出版者 | Faculty of Letters, the University of Tokyo | |||||
| 出版者別名 | ||||||
| 値 | 東京大学大学院人文社会系研究科・文学部美学芸術学研究室 | |||||
