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Significance of Analogy-Drawing Between Go and Painting
https://doi.org/10.15083/00040451
https://doi.org/10.15083/00040451df2c2261-1981-43a6-9815-a5a4f5b6d366
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jt025004.pdf (3.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2007-06-14 | |||||
| タイトル | ||||||
| タイトル | Significance of Analogy-Drawing Between Go and Painting | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00040451 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Jianping, Gao
× Jianping, Gao |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Many Chinese painters, from ancient up to modern times, have compared painting with different kinds of human activities, such as calligraphy, dance, music, as well as go, a board game played by two competitors. They articulate their theories of painting through these analogies, and reciprocally, these analogies have enlightened them on many important issues in painting. In this essay I am going to explore the aesthetic implications of analogy-drawing between go and painting. Go-playing and picture-making are two different human activities, the former being a game, whereas the latter is an artistic activity. However, in the eyes of many ancient Chinese painters, they are closely related to each other and share numerous features. This is of course not a challenge to the modern concept of the fine arts formulated by, say, Charles Batteux, because there was no corresponding concept in the mind of the Chinese in ancient times, but an analogy such as this can inspire us to make certain interesting discoveries. | |||||
| 書誌情報 |
Journal of the Faculty of Letters, the University of Tokyo, Aesthetics 巻 25, p. 19-34, 発行日 2001-03-24 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 03862593 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA00252031 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 700 | |||||
| 出版者 | ||||||
| 出版者 | Faculty of Letters, the University of Tokyo | |||||
| 出版者別名 | ||||||
| 東京大学大学院人文社会系研究科・文学部美学芸術学研究室 | ||||||
