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Why Architecture in Postmodern Times?
https://doi.org/10.15083/00040514
https://doi.org/10.15083/00040514443dc141-3491-44ce-a125-9365e7464373
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jt014008.pdf (903.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2007-06-14 | |||||
| タイトル | ||||||
| タイトル | Why Architecture in Postmodern Times? | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00040514 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
Aleš, Erjavec
× Aleš, Erjavec |
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| 著者所属 | ||||||
| 著者所属 | Centre of Scientific Research of the Slovene Academy of Sciences and Arts, Ljubljana | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In many respects romanticism can serve as the beginning of what we call modern art and literature today. ""Romanticism implies a conversion of culture, whose center of gravity is displaced from exterior towards interior."" This interiorization is simultaneously a historical fact and a psychological phenomenon and finds its many foundations in ideas preceding the French revolution and stemming from it throughout romanticism. The Revolution itself is important also because ""writers and artists discovered (...) the feasibility (...) of altering political action by thea ction of art"" --a fact of utmost importance for romanticism and modernism. This goes hand in hand with another essential change: ""The literate of previous periods, whatever their country of origin, met on a neutral terrain. In the Middle Ages (...) there was circulation of ideas and people, of teachers and pupils without these being necessitated to leave the Latin land. The renaissance discredited the vulgar medieval Latin and substituted it with the unitary language of the humanists. (...) Romanticism breaks this cohesion. (...) The path of unity passes (...) by the way of diversity, which, far from constituting a regrettable deficiency, must be considered as a richness. Each national culture finds itself in a state of interdependence with all the others, with which it is tied in the past and in the present. The romanticist mutation implies a relativization of aesthetic values, a self-denial of aesthetics of the universal and of the absolute. | |||||
| 書誌情報 |
Journal of the Faculty of Letters, the University of Tokyo, Aesthetics 巻 14, p. 77-86, 発行日 1990-03-26 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 03862593 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA00252031 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 700 | |||||
| 出版者 | ||||||
| 出版者 | Faculty of Letters, the University of Tokyo | |||||
| 出版者別名 | ||||||
| 東京大学文学部美学芸術学研究室 | ||||||
