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  1. 114 人文社会系研究科・文学部
  2. 12 美学藝術学
  3. JTLA : Journal of the Faculty of Letters, the University of Tokyo, Aesthetics
  4. 14
  1. 0 資料タイプ別
  2. 30 紀要・部局刊行物
  3. JTLA : Journal of the Faculty of Letters, the University of Tokyo, Aesthetics
  4. 14

Why Architecture in Postmodern Times?

https://doi.org/10.15083/00040514
https://doi.org/10.15083/00040514
443dc141-3491-44ce-a125-9365e7464373
名前 / ファイル ライセンス アクション
jt014008.pdf jt014008.pdf (903.8 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2007-06-14
タイトル
タイトル Why Architecture in Postmodern Times?
言語
言語 eng
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.15083/00040514
ID登録タイプ JaLC
著者 Aleš, Erjavec

× Aleš, Erjavec

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Aleš, Erjavec

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著者所属
著者所属 Centre of Scientific Research of the Slovene Academy of Sciences and Arts, Ljubljana
抄録
内容記述タイプ Abstract
内容記述 In many respects romanticism can serve as the beginning of what we call modern art and literature today. ""Romanticism implies a conversion of culture, whose center of gravity is displaced from exterior towards interior."" This interiorization is simultaneously a historical fact and a psychological phenomenon and finds its many foundations in ideas preceding the French revolution and stemming from it throughout romanticism. The Revolution itself is important also because ""writers and artists discovered (...) the feasibility (...) of altering political action by thea ction of art"" --a fact of utmost importance for romanticism and modernism. This goes hand in hand with another essential change: ""The literate of previous periods, whatever their country of origin, met on a neutral terrain. In the Middle Ages (...) there was circulation of ideas and people, of teachers and pupils without these being necessitated to leave the Latin land. The renaissance discredited the vulgar medieval Latin and substituted it with the unitary language of the humanists. (...) Romanticism breaks this cohesion. (...) The path of unity passes (...) by the way of diversity, which, far from constituting a regrettable deficiency, must be considered as a richness. Each national culture finds itself in a state of interdependence with all the others, with which it is tied in the past and in the present. The romanticist mutation implies a relativization of aesthetic values, a self-denial of aesthetics of the universal and of the absolute.
書誌情報 Journal of the Faculty of Letters, the University of Tokyo, Aesthetics

巻 14, p. 77-86, 発行日 1990-03-26
ISSN
収録物識別子タイプ ISSN
収録物識別子 03862593
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA00252031
フォーマット
内容記述タイプ Other
内容記述 application/pdf
日本十進分類法
主題Scheme NDC
主題 700
出版者
出版者 Faculty of Letters, the University of Tokyo
出版者別名
東京大学文学部美学芸術学研究室
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