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『檻の中』（1957）における単純さの追求 : 和田勉と飯島正によるテレビの〈発明〉
https://doi.org/10.15083/00076844
https://doi.org/10.15083/0007684468bfa844-9562-47f7-8ba1-057c9e5bb357
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
96_3.pdf (962.2 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2019-03-29 | |||||
| タイトル | ||||||
| タイトル | 『檻の中』（1957）における単純さの追求 : 和田勉と飯島正によるテレビの〈発明〉 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 和田勉 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 飯島正 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | テレビドラマ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | NHK | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | テレビ論 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Ben Wada | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Tadashi Iijima | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Television Works | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | NHK | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Television Theory | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00076844 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Simplicity in the Inside of a Cage(1957) : the “Invention” of Television by Ben Wada and Tadashi Iijima | |||||
| 著者 |
木原, 圭翔
× 木原, 圭翔 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 162517 | |||||
| 姓名 | Kihara, Keisho | |||||
| 著者所属 | ||||||
| 著者所属 | 東京大学大学院情報学環 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Just after NHK (Japan Broadcasting Corporation) started to television broadcasting in February 1953, Ben Wada, one of the most acclaimed Japanese television directors, also began to make a number of unique television works. Although his early works have often been criticized for being esoteric, its uses of ingenious close-ups have brought him great fame. This article analyzes one of the Wada’s earliest television works, The Inside of a Cage (Ori no Naka, 1957, considered a lost work) to investigate his vision of Japanese television. According to Wada, the whole story was not essential for this work because the main theme was a man’s escape from the “cage” in the middle of the story just like Robert Bresson’s masterpiece A Man Escaped (1956), which made deep impression on him. However, the scriptwriter Tadashi Iijima, who was a famous film critic, put a high priority on the story which includes Hitchcockian twist ending and main character’s change of feeling toward ex-girlfriend. Although they both pursued the simplicity in this work which only television could accomplish, there was a subtle difference between their viewpoints on storytelling of television. In investigating the existing scripts and other materials of the work, we can find some traces of their conflict. |
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| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 教員研究論文 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Faculty Papers | |||||
| 書誌情報 |
情報学研究 : 学環 : 東京大学大学院情報学環紀要 巻 96, p. 27-43, 発行日 2019-03-29 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 1880697X | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 21878056 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12032633 | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院情報学環 | |||||
