WEKO3
アイテム
1950年代の日本舞台芸術とアメリカ : 1959年アメリカ雅楽公演を中心に
https://doi.org/10.15083/00079697
https://doi.org/10.15083/000796979714e93b-ed49-493c-8357-52cc029e4db3
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
PAS20_020006.pdf (705.1 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-10-08 | |||||
| タイトル | ||||||
| タイトル | 1950年代の日本舞台芸術とアメリカ : 1959年アメリカ雅楽公演を中心に | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15083/00079697 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
倉林, 直子
× 倉林, 直子 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 162397 | |||||
| 姓名 | KURABAYASHI, Naoko | |||||
| 著者所属 | ||||||
| 値 | 川村学園女子大学 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper examines some Japanese performing arts sent to the United States in the 1950s, especially focusing on the first visit of gagaku troupes, the troupe of dancers and musicians from the Japanese Imperial Household to the United States in 1959. There were various factors which made the gagaku visit possible. In the mid-1950s, there was a so-called “Japan Boom” in the United States. Realizing the importance of the Japanese arts which could inspire the western arts, some American artists and intellectuals worked to promote the attractiveness of the Japanese arts to American citizens. The Japanese performing arts were not an exception. The nihon-buyo performance so-called Azuma Kabuki in 1954 strengthened the interest in the Japanese traditional arts among some American citizens. The artistic interest of Lincoln Kirstein in the Japanese arts was the important factor in the realization of the gagaku visit. As general director of the New York City Ballet, Kirstein thought the music and dance of gagaku would have a good influence on western performing arts. Although he could not get financial support from the U.S. government and the Rockefeller Foundation, he realized the project by cooperating with the Japanese government which became interested in exporting the Japanese culture abroad at that time. The success of the gagaku visit show that some Americans in the 1950s sought the traditional Japanese culture which was not Americanized. This fact made the Japanese proud of their traditional culture, which resulted in the increase in exportation of the Japanese arts abroad. |
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| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Articles | |||||
| 書誌情報 |
アメリカ太平洋研究 = Pacific and American studies p. 93-110, 発行日 2020-03 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13462989 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11562201 | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| 出版者 | ||||||
| 出版者 | 東京大学大学院総合文化研究科附属グローバル地域研究機構アメリカ太平洋地域研究センター | |||||
| 出版者別名 | ||||||
| 値 | Center for Pacific and American Studies, Institute for Advanced Global Studies, The University of Tokyo | |||||
